I have always wanted to
learn how to write a book review. If I can teach myself to Tweet, I should be
able to teach myself how to do this as well.
1. Don't read the book.
At least, not yet. Instead, start by looking at it. Look for clues to the
nature of the book you'll be reading. Is it a richly manufactured item aimed at
collectors? What does the cover illustration indicate the book will be about?
What sort of blurbs are included? How is it categorized by the publisher? All
of these will tell you the book's target audience.
Too late. I read and am going to review Milo:
Sticky Notes & Brain Freeze written and illustrated by Alan Silberberg.
I checked it out of the library because the cartoon drawings reminded me of
Daniel Pinkwater. There is a drawing of a dog on the back cover peeing on one of
those tree-shaped car fresheners. I found it in the teen section and next to the dog in
little tiny type are the words “ages 9-13”.
2. Don't read the book.
At least, not quite yet. Instead, open the book and flip through it.
Look at how the words are arranged on the pages. Start with the largest
distinctions—the number of pages, the number of chapters, and so on. Then move
to the size of paragraphs, how much of the book is dialogue, etc. This will
tell you about the book's readability and how the author structured the book.
275 pages, a bunch of chapters (they aren’t
numbered and I am not going to count them), the paragraphs are short and to the
point, realistic dialogue, lots of great illustrations – some of which are
actually part of the story itself.
3. Build a framework for taking notes.
You always focus better if you have something specific to look for and markers
to pay attention to along the way. Start with the simplest things—the number of
chapters, for example—and then move on to more complex tasks, such as questions
you'll want to answer: "What makes this book a classic?" or
"What made this book 'speak for a generation' like the introduction said
it did?"
The blurbs on the back of the book indicates that
it won the 2011 Sid Fleischman Award for Humor, the New York Public Library’s
100 Books for Reading and Sharing 2010, and was a 2010 Cybil Awards Finalist. The
illustrations, along with these accolades, make you think it is going to be
light and full of silly situations. But when you actually read the one-paragraph
synopsis on the cover, you get clues like “lived in 5 different houses”, “have
to start the 7th grade in a brand-new school”, and “My dad thinks
everything is going to be okay – but I don’t think that’s possible. How can it
be when my mom isn’t around to fill the house with noise anymore?” and realize
it is going to be a lot more serious than you first thought.
4) Read the book.
And as you do so...
Done.
5) Pay attention.
That isn't a disciplinary command like, "Don't let your mind wander!"
Instead, pay attention to your reading experience. This is the first
real challenge for most people. What caught your attention, and when were you
bored? When was the book suspenseful? Which characters did you like, and why?
I certainly wasn’t bored. From the first paragraph,
I was anxious to know more about Milo and his friends, Marshall and Hillary.
Summer Goodman, Sylvia Poole, Mr. Shivnesky and Milo’s alias, Dabney St. Claire,
are all essential to moving the story forward. So is Milo’s dad – he is there
but not really present.
6)
Review the book and take notes that let you explain its effects.
This is the second tough step for most people. Remember that note-taking
framework you built earlier? Now's the time to fill it in. Flip back through
the book and write brief, purposeful notes. What happens in the first
chapter—and what was its effect on you as a reader? When you passed from
one part of the book to the next—chapter, section, or setting—what kept your
attention? This is the part most people neglect, but it lays the foundation for
the rest of the book review, so keep at it until you can do the following:
Explain
how the book as a whole affected you.
Very moving
Explain how the author achieved the effects he or she did.
Alan Silberberg strikes a balance
between funny, awkward situations that anyone can relate to – since we’ve all
been an outsider at one time or another - and the pain of losing your mother.
Explain the relationship between form and
content.
The goofy cartoon illustrations
draw you in, making you feel as if you know each of the characters, and help
you see the world from Milo’s point-of-view. Without them, and the clever handwritten
chapter headings, the topic would be much more difficult to handle.
If it is fiction, explain the function of
each character in the novel.
Dabney St. Clair: Milo’s alias who is cool, calm, collected, smart and popular. This
voice in Milo’s head is who he wants
to be and he offers advice about social situations.
Summer Goodman: a blond and beautiful 7th grader. Milo has a crush on her
and she doesn’t know he exists – or does she?
Hillary Alpert: a girl in Milo’s grade who lives next door and is as different from
Summer as one can get. A real friend though it takes him a while to realize it.
Marshall Hickler: a cool kid in Milo’s grade who passes the Friend Test right away. You
just know that the two of them are going to end up college roommates and
buddies for life.
Sylvia Poole: a woman who lives down the street that Milo mistakes for a very
uncool, very old lady who turns out to be the opposite. She gives him sage
advice based on her own experiences.
Mr. Shivnesky: the math teacher who cares enough about Milo to tutor him after school
two days a week. His bald head really bothers Milo – you find out why toward
the end of the book. When looking back on middle school, Mr. S. will be one of
those teachers Milo thanks for changing his life. Hey, he may even learn to
like math!
Milo’s dad: he doesn’t know how to handle his own grief, let alone Milo’s. He has
withdrawn, causing great pain to those around him – the silence in the house is
deafening.
Explain the characters' relationships to
one another.
Friends, potential friends,
acquaintances, mentors, family figures, family.
7) Sum up the book.
This is the easy part, and half of what most people think a book review is. Put
the book in a nutshell. Keep summarizing it until you've got everything covered
clearly. Use that to start your review.
Milo Cruikshank tries to find his way after losing
his mother to cancer. He is supported in his search by friends, neighbors and
teachers. He learns how to reconnect with his father and keep his mother’s
spirit alive.
8) Pass judgment.
This is the other half of a book review for most people. Is this book good or
bad? This is the time for you to say so. Put that second in your review—but use
your notes from earlier to explain why and to make your judgment
persuasive. Give specific examples, and move from passing judgment to
explaining the book. That comes third.
I
would recommend this book to teens and up (including adults) who have lost
their mother, find themselves in a new situation, feel alone, and/or estranged
from a family member. The author hits all of the right notes. For a sense of
his style, click here.
9) Put the book in context.
You might have been able to get this information from looking at the book's
cover and introduction, or you might need to do a little research. What
categories does this book fall into? Is it science fiction or fantasy? Is it the
first of its kind or an imitation? The author's first book or fifteenth? Spend
some time relating this book to others in its category to further explain the
book and your judgment of it.
There are books that explain death to very young
children (The Tenth Good Thing About Barney, The Giving Tree) and
for adults. This is an important, contemporary book for teens – especially boys
- who are experiencing, or have a friend who is experiencing, profound loss.
10) Check your aim.
You've written your review. Now's the time to step back and apply this sort of
reasoning to your own review. Did you explain every major aspect of the
book? What was your target audience? Did you write this for a class with
specific criteria—or for a fan magazine whose audience already knows this type
of book well? If so, you might have to edit your review to add or remove
details. If you don't...you're done!
Hmm…this was fun. But Kirkus Reviews said it all in
two words: painfully funny. Can’t add anything to that.